The following is a list of the equipment which we use for mastering. Additional equipment is listed on our recording page.
Analog Processing:
- Dangerous 2-bus LT (analog summing amplifier)
- Manley Massive Passive Vacuum Tube 4 band equalizer
- Manley Mastering Tube Variable MU Compressor/Limiter
- ManleyTube Stereo Pre-Amp
- Nightpro EQ3-D Mastering Equalizer with "Airband"
- Pendulum PL-2 JFET/MOSFET Analog Peak Limiter
- Prism Sound Maselec-MEA-2 Masters Series equalizer
- Tube-Tech SMC-2B Vacuum Tube Multiband compressor
- Requisite L2M Mark III Tube Mastering Limiter/Compressor
Outboard Digital Processing:
- Digital Domain K-Stereo Processor, Stereo enhancer, expander & equalizer
- T.C. Electronic Mastering 6000 featuring MD3, MD4 (complete M/S Processing), Brickwall 2 and Reverb Licences
- Waves L2 Outboard Ultramaximizer, peak limiter / volume maximizer & dither/noise
- Weiss DS 1-MK2 Compressor / Limiter / De-esser
- Weiss EQ 1-MK2 Dyamic & Linear Phase Equalizer
Computer-based TDM Digital Processing:
- Audio Ease Altiverb - Sampled Acoustics Processor
- FabFilter Pro-Limiter
- Massenburg Design Works- MDW High-Res Parametric EQ
- Massey L2007 mastering limiter
- Ozone 4 IRCâ„¢
LoudnessMaximizer
- PSP Xenon Precision Limiter
- Serato Pitch'N'Time
- Waves Restoration Noise Reduction Toolkit
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- Note: In the mastering process, it is our usual practice to rely on our Class-A outboard gear. With the exception of digital limiters, plug-ins are rarely needed but can sometimes provide the right sound for a track or can be automated to fix problem masters. We also have a huge assortment of other TDM Plug-ins which can be occasionally handy for special effects.
Tape Deck: Recorder/Playback/Layback:
- ATR Services (Mike Spitz) Custom Remanufactured 1/2" Ampex ATR-102 with stock (Flux Magnetics Mastering Series Head ) and Aria Electronics (Flux Magnetics Mastering Series Extended Response Head)
- Dolby 363 SR/A Noise Reduction w/350 modules
Converters:
- LavryGold DA924 (digital to analog converter)
- LavryGold AD122-96MKIII (analog to digital converter)
- Weiss DAC1-MK2 (digital to analog converter for room monitoring)
Monitors:
- Lipinski L-505 Monitors
- Velodyne DD-10 Digitally Controlled Active Subwoofers, 2 (stereo)
- Auratone 5C
- Yamaha YST-M10 Active Multi-Media
Non active monitors are powered by a Bryston 3B SSTamplifier
Software:
- Sonic Studio SoundBlade (mastering/assembly software with DDP reading and creation - Sonic Studio was formerly Sonic Solutions)
- Pro Tools TDM 7.2
- WaveBurner Pro with POW-r dither, Logic Audio
- Spectrafoo Signal Metering and Analysis (software based phase scope, bit scope, ultra-accurate metering, and real time frequency analyzer, etc.)
- Toast Titanium Data Back-Up
Computers and Hardware:
- Macintosh G5 w/2.5 dual processor w/ 2 gigs of RAM
- Plitron 8894-X00-00 Isolated Power Distribution Unit (Isolation Transformer & Balanced Power)
- Pro Tools | HD 2 Accel Digital Audio Workstation (HD Core, Accel Card & two 192 i/o)
- SurgeX surge protector
Board:
- No Board or Patch Bay! "Point to Point" patching for all analog gear.
- Analog cabling used for analog gear is exclusively Requisite Cable
- Frontier Alphatracks Motorized Midi Fader Controller (for manual fades and abilty to mute and unmute simultaneously to easily compare mix to master channel)
Digital Sample Rate Converter/Interfaces:
- Dangerous Monitor ST (studio monitoring interface and speaker switcher)
- LavryGold Digital Optimizer 3000S (real time sample rate converter/dither & noise shaping)
- Tascam IF-AE8 (digital transfer of Tascam 8 tracks-->Pro Tools)
- Wave Editor with iZotope 64-bit Sample Rate Conversion and M-Bit dither
- Z-Systems z.8.8
Analog Transfer:
- Manley Tube or Millennia HV-3C solid state Stereo Pre-Amp --> LavryGold AD122-96MKIII (analog to digital converter) --> Pro Tools HD
CD-R Writers:
- Various Plextor compact disc writers which write red book standard CD-Rs and support CD text & ISRC Codes
Digital Tape Recorders:
Cassette & CD Players:
- Tascam 122, 3 head deck w/XLR i/o
- Sony CDP-CE275 CD player with digital output
Turntable:
- Technics SL-1210MK2SE (variable speed with strobe, plays LPs, 78 & 45 rpms + most of KAB's Upgrade Mods
- Ortofon Cartridge CC PRO S30
- Creek Phono Pre-Amp OBH 18
Patch Bays & Wiring:
- Analog cabling used for mastering is exclusively Requisite Wire
- Analog mastering gear is connected point to point (no patch bay) and is configured on an as-needed basis
- Digital cabling is Apogee and Requisite
- 3 custom AC cables by Requisite on the "playback/record" devices.